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Mónica
Aíssa Martínezs calling as an artist was enhanced by
her background; she was a member of a creative family and, she has recalled, was
surrounded all my life by artisans, actresses, writers, musicians, and
teachers. Her parents encouraged her creative pursuits and taught
her about her cultural background. Even so, Martínez felt a sense
of isolation and separateness as a child. Others explained this to her
as being a result of her minority status, and, as a Hispanic living in
El Paso, she initially regarded it as a condition of her displaced Hispanic
heritage. Because her minority status was compounded by being a woman,
she also understood it as a womens issue. Ultimately she came to
believe that her feeling of separateness was actually a more universal
condition: I am not sure it is specifically a minority issue; I think
it is a human issue. This led her to the belief that the human race
is bonded in spirit, a theme expressed in much of her art. Martínez
places great emphasis on the importance of education in her career: I
have been influenced by numerous teachers and by the process of teaching
itself. She earned her B.F.A. at the University of Texas, El Paso,
in 1986 and her M.F.A. at New Mexico State University, Las Cruces, in 1991.
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